Discussion:
- weekly box office revenue for the three highest grossing movies of all time- not adjusted for inflation
- number of words spoken by significant characters in each movie
How are we 'creating' it by making it visible?
- creating a niche category to focus on spoken dialogue in movies
- potential patterns in this spoken dialogue and proportions that may inform success of movies or bias for certain characters
Difference between publishing this and general written commentary:
- more effective to look at and therefore more engaging
- easier comparison between films because there is a uniform design
- able to visualise what may be boring or difficult to write about, in this case the amount of words said by a character is not article worthy but may be worthy to publish in a visualisation
Impact on publics:
- Film critics can use this information to inform their research and also support or refute their opinions
- General public can use this information in order to make decisions about what movies to watch
- Film studies can have another dimension of statistics and logistical details added to it as opposed to studying classical plot structures and camera shots etc
- Film creators can therefore use this information to help them make decisions about films
References:
Box Office Revenue:
IMDb.com, Inc. (2014) Avatar (2009),
USA
Accessed: 28 September, 2014
IMDb.com, Inc. (2014) Titanic (1997),
USA
Accessed: 28 September, 2014
IMDb.com, Inc. (2014) Marvel’s The Avengers (2012),
USA
Accessed: 28 September, 2014
Word Count (manually collated from scripts):
IMSDb.com. Avatar (2009),
USA
Accessed: 6 October, 2014
IMSDb.com. Titanic (1997),
USA
Accessed: 7 October, 2014
Scribd
Inc. (2014) Avengers Script (2012),
USA
Accessed: 5 Octover,
2014
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PRZEMYSLAW HOFFER
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